LLIVELY Music

About

About LLIVELY Music

LLIVELY Music was founded by Laura Rosierse in 2017 and is based in the north east of England. She graduated the prestigious Herman Brood Academie in Utrecht, the Netherlands in 2019, but her journey in music started a few years earlier. It started at renowned music venue Melkweg Amsterdam where she interned at the marketing department, after which she went on to successfully complete internships at music label [PIAS] Holland, and grassroots music label Kaleidoscope Music in Newcastle after which she moved to the city for good. Rosierse is the north east representative for national promoter This Feeling, stage manager for Fever’s We Call It Ballet, works for their Candlelight Concerts, co-runs the Box Office and Artist Accreditation at Solfest, and has worked at festivals such as Stockton Calling, A Stone’s Throw Festival, Vestrock (NL), Coast Fest, Marrapalooza, NOVUM Festival, Lindisfarne Festival, and Whitby’s Musicport Festival. Laura collaborated with international artists on press days, press campaigns, events, and international tours. She has hosted masterclasses and webinars, is part of the organisation behind Aelius Alternative Festival and runs monthly LLIVELY Showcases. In November 2025, LLIVELY Music joined the Association of Independent Promoters. Laura worked with bands such as The Bergamot (US), James Kennedy (UK), Sunbeam (UK), Benedict October (NL), and The Vices (NL). LLIVELY Music currently supports the likes of Abnorm (UK), Tim Gambles (UK), Decrepit Youths (UK), Subterranean Street Society (NL), Sol Power (NL), Hels Pattison (UK), and Morning Tourist (UK) and manages the online marketing for Dutch grassroots music label King Forward Records and its roster. She believes she never truly had a choice, working in music was always going to be the route she would take, as she was raised in front of the record player and Record Store Day was always celebrated in the house she grew up in. Travelling grassroots music festival Popronde was never missed, and music was always playing as she grew up, that never changed when she moved out and into her flat in Amsterdam. She started her own online music platform Music For The Misfits to support bands by getting their music in front of a new audience and is now one of the editors at When The Horn Blows, and writes for NARC and CLUNK Magazine.