NAMI Creative Network member
Kin>% is a multi-pseudonymous artist exploring fate and inevitability in technology, using interactive technologies, digital spaces, screen-based media and sound.
About
Kin>% is a multi-pseudonymous artist looking at fate and inevitability in technology discourses, and the socio-psychological effects of algorithmic technologies that make decisions for and about us. Her creative practice predominantly uses interactive technologies, digital spaces, screen-based media and sound. As a writer, she has published with Corridor8, AI & Society journal, Moving Image Artist journal, Disability Arts Online, Byline Times, This is Tomorrow, Hypocrite Reader, CultBytes and Institute of Network Cultures. She has been longlisted for the Aesthetica Art Prize two years running, and is currently doing a placement with the ADA Lovelace Institute. Her art has featured at the Wrong Biennale, Peckham Creative Computing festival, Cryptic, Digital Mental Health conference, Strangelove Time-Based Media Festival, Radiophrenia, Kelvingrove Museum, NewBridge Project, Christie’s, New Art Gallery Walsall, Friday Island (Luxembourg), Ann St Gallery (New York), Artech (Portugal) and Electro Putere (Romania). She is the host and producer of the podcast Digital Fatalism.
A look at the work
Film still #1 From a short film unpicking the ideologies within Silicon Valley whilst creating a mythopoetic resistance against plans to build an AI data centre near Blyth.
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Film still #1 From a short film unpicking the ideologies within Silicon Valley whilst creating a mythopoetic resistance against plans to build an AI data centre near Blyth.
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Using uncertainty to counter the assumed accuracy and infallibility of AI predictions, ‘It might come true…’ is an interactive mirror that produces a prophecy for each viewer.
A short film unpicking the ideologies of Silicon Valley whilst creating a mythopoetic resistance against plans to build an AI hyperscale data near Blyth.
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